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Space Giraffe 項目数：12 総ポイント：200 難易度： ～80：★☆☆☆☆ ～165：★★☆☆☆ ～200：★★★★★（Long-Necked Long March） 製品情報：マーケットプレイス 配信日：2007年8月22日 DL費用：400MSP ジャンル：アクション アーケード Long-Necked Long March レベル1からスタートしてレベル100をクリア。 35 ERROR_SUCCESS レベル100をクリア。 50 Ewige Blumenkraft 最初のフラワーをレベルクリアまで生かしたまま成長させる。 15 Great Green Arkleseizure レベル移動時に20以上のくしゃみボーナスを取る。 10 Professor of Giraffeology チュートリアルレベルで1000万点以上獲得。 10 I Adore My 64 レベル64をノーミスでクリア。 15 Klepto-Giraffe 1つも取りこぼさずに20個のパワーアップを取る。 10 Girafa Caprichoso 5つの連続したレベルをボーナス倍率9xでクリア。 15 Girafa Garantido ミスせずに16レベルをクリア。 10 Pod Presever 16レベルをクリアする間ジャンプを使わない。 10 Boi Bumbá 一度の跳ね飛ばしでボーナス倍率を9xにする。 10 Mine's a 99 残り自機9でボーナス倍率9xを獲得。 10 Girafa Garantido、Pod Preseverは1～16限定ということではなく 連続した16ステージということ。（1～16が最も簡単だけれど） またI Adore My 64は64面だけをノーミスでクリアすればいい。なお、100面クリア後のSuper Oxモード(100面クリア後ゲームモード選択画面でA+Y。マップの形と名前ランダム化、敵構成は基本同じだが攻撃と視覚効果が激しくなる)の64面をノーミスクリアでも実績が取れる。 ●Great Green Arkleseizure 次のステージに移る際に場外に弾いた弾1発に当たるごとに1回くしゃみ。敵の弾攻撃が激しい面で適当に乱射(右スティックのひづめショットを左右にスイープ)しておけば取れる。 ●Boi Bumbá 操作説明に書いてある通りにやればOK。2面。やり方がわからない場合は下で紹介されているプレイ動画を参照。左側で待ち→ポッド取る→敵ためる→ジャンプ(右トリガー)→体当たり ●Ewige Blumenkraft フラワーがいるどの面でもいいが、面の単純さからいって9面がおすすめ。音程に注意して撃ちこみ過ぎないようにする。 ●ERROR_SUCCESS 100面は攻撃が激しい。97面-99面は100面に備えてライフを回復できるような簡単な構成になっているので、そこから開始して残り機体を増やし、99面のクリア時(Giraffetastic！)にジャンプポッドを取って速射ボーナス(弾のスピードアップ＆ひづめショットが少しホーミング)を取っておくと少しは楽。 ●Long-Necked Long March 所要時間は約3時間半。まずは16面単位の通し(1面-16面, 17面-32面など。特に最後の81面-100面)を練習してコツをつかむ。100面クリア後のSuper Oxモードで激しい敵攻撃および過剰な視覚効果に慣れるのもおすすめ。 残機を温存することを優先する(=緑や白やオレンジの線で到着する危険なフラワー、ボフィン、ローターを即座に撃ち落す)ことと、ミスしたらライフ回復を心がける(ポッド集め、9倍での跳ね飛ばし)ことを心がけて、後は集中力との勝負。100面をクリアできる人なら、不可能ではない。なお、面クリア時の移動デモは左トリガー(デフォルト。設定の操作方法からボタン変更可能)でスピードアップできる。 ●どこからはじめてよいかわからない人へ まず操作説明を見てBoi Bumbáを取ってみる。そこで跳ね飛ばしとボーナス倍率メカニズムの存在を覚えてから、チュートリアルをやりこんでProfessor of Giraffeologyを目指す。平行してゲーム説明blogを 読むとゲームの肝がわかりやすい。どちらにしろ、長く、敵種類と編成に合わせて戦略も練り直さないといけないゲームなので何度も死んで理解を深めることになる。 最初の9面程度でMine's a 99、Girafa Caprichoso、Klepto-Giraffeは取ることができる。プレイ動画参照 http //llamasoft.co.uk/yak/SG_to_lvl_9.wmv このゲームの日本語訳した方のブログ。Tips等が書かれている http //fuwafuwax.spaces.live.com/ 同じ中の人の実績ガイド http //fuwafuwax.googlepages.com/spacegiraffe-achievementguide
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DaVinci Resolve DaVinci Resolve 18 プロジェクト設定 MrAlexTechSeamless トランジションパック ファイル名 MrAlexTechSeamless MrAlexTechSeamless説明 D \Program\Blackmagic Design\DaVinci Resolve OpenCL 01 .dll After Effects Free 素材 [After Effects Free 素材 https //www.premiumbeat.com/blog/category/after-effects/] 単色背景を作りたい！２パターン紹介 https //start-fromscratch.com/blog/davinciresolve-background/ 動画編集 1回 メディアページ編 https //tokyohappendix.com/editing-tips/dr_mediapage DaVinci Resolve 16 データベースの保存場所 https //furutao.com/blog/2019/11/24/davinci-resolve-01-where-db-files/ DaVinci Resolve17のプロジェクトの保存先 https //oiuy.net/archives/9719 DaVinci Resolveのプロジェクトファイルの保存先 https //sumizoon.hatenablog.com/entry/2019/06/11/200601 DaVinci Resolveでプロジェクトファイルを受け渡す2つの方法 https //vook.vc/n/2149 DaVinci Resolve 無償で高機能な動画編集ソフトについて https //www.pc-koubou.jp/magazine/37640 OBSのシーントランジション設定でカッコよく画面を切り替える方法 https //shifa-channel.com/obs-transition/ Streamlabs OBSでソースを追加・編集して、画面を映す方法 https //vip-jikkyo.net/slobs-sources トランジション素材を自作して設定する方法。スティンガーに透過付き動画を登録して配信演出を付けよう https //arutora.com/21798 DaVinci ResolveをめぐるトラブルシューティングFAQまとめ https //vook.vc/n/1697 【Davinci Resolve 16】対応ファイル形式一覧！読み込めないファイルはどうすれば？ https //aketama.work/dr16-file-type AllTemplates shared by sean ファイル https //www.mediafire.com/folder/0wh5oa8ll1b2c/AllTemplates お荷物のサイズとお届け先の都道府県 https //form.008008.jp/mitumori/PKZI0100Action_doSearch.action 白色のペンキ ターナー色彩 アクリル絵具 ミルクペイント スノーホワイト ニスが塗ってある机に対する接着剤 ターナー色彩 メディウム ミルクペイント マルチプライマー 200ml 仕上げ用のニス 和信ペイント 水性ウレタンニス 屋内木部用 高品質・高耐久・食品衛生法適合 透明クリヤー 130ml コテバケ ハンディ・クラウン INNOVA ワンタッチコテバケ セット 150 osu!をインストールしてプレイするまでの手順（導入方法） http //game2ji.com/osu-install/ ナレッジベース https //osu.ppy.sh/wiki/ja/Installation Aeron Chairs ハーマンミラーストア 編集の概要 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-Introduction-to-Editing.zip 技術 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-The-Art-of-Color-Grading.zip Mini Panel https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-DaVinci-Resolve-Mini-Panel.zip グラフィック https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-and-Graphics.zip Fusionの3D VFX https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-in-3D.zip オーディオ制作 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-1.zip Fairlightのオーディオ制作 href="https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-2.zip メディアの管理 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Managing-Media.zip コンテンツの書き出し https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Delivering-Content.zip LUTSダウンロード https //www.colorgradingcentral.com/free-luts-download-davinci/ あなたの動画をシネマ風に！ 無料のLUT をまとめて129選ご紹介します https //www.shutterstock.com/ja/blog/129-free-cinematic-luts 1 2 3 4 5 6 7 8 動画説明 DaVinci Resolve トランジションを追加できない時の対処法 DaVinci Resolve トランジションを追加できない時の対処法 About DaVinci Resolve 18 The free DaVinci Resolve 18 includes all of the same high quality processing as DaVinci Resolve 18 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 18 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro. If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools and remote rendering, please upgrade to DaVinci Resolve 18 Studio. We hope you do decide to upgrade as your facility grows and you do more advanced work! Important information regarding project library management DaVinci Resolve 18 requires a project library upgrade from DaVinci Resolve 17.4.6 and previous versions. We strongly recommend that you backup your existing (disk based and PostgreSQL based) project libraries before performing an upgrade. What's new in DaVinci Resolve 18 Features marked with * are in progress and may change before the final release. Key Features • Blackmagic Cloud to host and manage cloud-based project libraries. • Collaborate securely over the internet using Blackmagic ID. • Upload and review on Presentations with synced markers and comments.* • Support for intelligent path mapping to relink files automatically. • Vastly improved project library performance for network workflows. • Improved project performance, especially when working with large projects. • New Proxy Generator app for auto-creating proxies within watch folders. • Ability to choose between prioritizing proxies or camera originals. • Proxy files in subfolders are automatically assigned in the media pool. Media Edit • Support for reversing shape, iris and wipe transitions in the edit page. • New subtitle improvements including - Support for timed text TTML, XML and embedded MXF/IMF subtitles. - Ability to view and import subtitles from media storage. - Support for relinking subtitle clips from the media pool. - Subtitle region support with multiple simultaneous captions per track. - Set individual presets, text positions and intuitively edit between regions. - Add, rename and manage regions from the timeline context menu. - Ability to import, export and embed multiple subtitle tracks as TTML. • Support for showing up to 25 simultaneous multicam angles on the viewer. • Edit Index now shows clip duration. • Ability to navigate keyframes outside trimmed clip extents. • Ability to navigate retime keyframes using hotkeys. • Smart bin filter for disabled timelines. • Render in place and open in Fusion actions can be assigned shortcuts. • Reset Fusion composition now works on multiple clip selections. Color • New object mask capability in Magic Mask. • Adjustment clips and Fusion generators can bypass color management. • Support for syncing clip groups in remote grading sessions. • Ability to trigger bidirectional tracking from advanced and mini panels. • Support for matte finesse and 3D qualifier in advanced and mini panels. • Dolby Vision highlight clipping support in advanced panels. • Support for bypassing color outputs from advanced panels. • Add key mixers with auto-connected key outs from advanced panels. • ACES support for Blackmagic Gen 5 camera formats. • Support for the HDR Vivid standard. • Reference gamut compression enabled by default in ACES 1.3. Resolve FX • New Resolve FX Depth Map to generate 3D depth based keys in Studio. • New Resolve FX Fast Noise. • New Resolve FX Despill. • New Resolve FX Surface Tracker for tracking warped surfaces in Studio. • Improved Resolve FX Beauty with new ultra mode. • Improved edge strength and filter controls in Resolve FX Edge Detection. • Option to composite from a second input in Resolve FX Transform. • New bokeh preset for Resolve FX Lens Reflections. • Green-purple control for Resolve FX Chromatic Aberration. • Sizing awareness option in Resolve FX lens flare and radial zoom blurs. Fairlight • Ability to convert fixed bus projects to FlexBus in project settings. • Ability to freely order tracks and buses in the mixer via the track index. • Ability to nudge custom millisecond or sub-frame intervals in the timeline. • Improved quality for time stretched audio. • Improved Dolby Atmos immersive mixing, including binaural monitoring. • Native support for Dolby Atmos production for Linux and Apple silicon. • Independent controls to enable automation and expose parameters. • Improved behavior of automated tracks under VCA control. • Improved meters with configurable decay, peak hold and display modes. • Ability to ctrl-alt click to remove gain and elastic wave keyframes. • Ability to double click a clip in the timeline to rename. • Ability to set record clip name prefix at a per-track level. • Support for renaming underlying tracks when renaming a linked group. • Equalizers with improved Q controls and mouse wheel inputs. • Dynamics with enhanced metering, gain display and enable controls. • Dynamics with improved dry mix, soft knee and metering in FlexBus. • Improved plugin management with replace and copy settings in the mixer. • New built in presets for equalizers and dynamics. • Hold shift and double click clips to extend the edit selection range. • Support for applying audio gain on range selection. • Improved waveform display accuracy under crossfades. • Origination time metadata is now persisted when bouncing mix to track. • Option to trim from unity on the Fairlight Desktop Console. • Support for VCA and bus spill on the Fairlight Desktop Console. • Support for using the Fairlight Desktop Console on Linux systems. • Studio monitoring support for FlexBus on consoles. • Fairlight console option to mute speakers on timeline load. • Support for chasing timecode via Fairlight audio interfaces. • Support for user views in the Fairlight Desktop Console. • Improved mapping for audio effects on the Audio Editor panel. • Ability to use alt + solo to invoke solo safe in the Audio Editor panel. • Support for a new clear mutes action in the timeline menu. • Enabling track mixer controls brings window to focus if already open. • Grid and list modes are persisted for patch, bus and VCA assign. Fusion • Multi-button mode selection in inspector for multiple tools. • Support for all modern and future python 3 versions for scripting. • Support for live previews when using the Text+ color picker. • Multiple new composition blend modes. • New expression animated Custom Poly modifier for masks and strokes. • Faster GPU accelerated paint tool with smoother strokes. • Faster duplicate tool with additional blur, glow and size controls. • Improved fade-on and text ripple title performance. • Improved performance for night vision, glitch, TV and other effects. Codecs • Support for video uploads to internet accounts using custom presets. • Support for encoding mono and stereo MP3 audio. • New HyperDeck export preset in the Quick Export and deliver page. • Ability to render individual clips with timeline effects. • Ability to embed Blackmagic RAW metadata in QuickTime renders. • Custom quality and profile media management options where available. • Support for rendering Dolby Vision compatible H.265 clips. • Support for decoding CMYK format TIFF files. • Support for record date and time metadata for JPEG stills. • Alpha channel support in the IO Encode Plugin SDK. • Support for RED SDK 8.2.2. • New 1440p YouTube preset. • Render option to override ACES gamut compression for round trips. • Main10 is now the default H.265 encoding profile on Mac. General • Support for 10-bit viewers on Windows and Linux in Studio. • Stream video output to remote monitoring in Windows and Linux in Studio. • Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro. • Support for Korean localizations in DaVinci Resolve. • PostgreSQL 13 is now bundled with Project Server. • Support for desktop notifications for collaboration chat. • User preference to import Finder tags as clip keywords on Mac. • Support for importing and exporting Final Cut Pro v1.10 XMLs. • Ability to unlink Dropbox comment and marker sync for timelines. • Playback and render now prevents Mac systems from sleeping. • Support for per-system project working paths in collaboration and cloud. • Support for per-system render cache mode in collaboration and cloud. • Support for setting current project settings as default. • Scripting API support for creating Fusion compositions. • Scripting API support for exporting project archives. • Scripting API support to get and set timeline start timecode. • Scripting API support to detect stale media bins and refresh them. • Scripting API support for updating camera raw sidecar files. • General performance and stability improvements. Intelligent path mapping to relink files automatically DaVinci Resolve 18 has the ability to automatically map and manage paths between users and machines using cloud based project libraries. This ability is enabled by default in the project settings. Once the first user adds media to a project, every additional user or machine only needs to perform a relink to their shared copy of the media. DaVinci Resolve will automatically map these paths so that the media does not go offline for other users. Users can also manually manage shared locations between users and machines. In order to do this, the first user adds a shared media location to the project settings. This could be a shared cloud folder using a service such as Dropbox or Google Drive. Every additional user can then either just relink their footage, or open project settings and set their local path to that media location. New Proxy Generator app to auto-create proxies in watch folders DaVinci Resolve 18 includes a new Proxy Generator app. You can assign one or multiple watch folders to the Proxy Generator. The Proxy Generator app will scan and automatically generate QuickTime proxies with the selected codec in a Proxy subfolder. When importing media into DaVinci Resolve, any proxies found in these subfolders are automatically linked and assigned as proxies in the media pool. This happens even if the proxies are generated after importing the media to the media pool. Improved Proxy Handling DaVinci Resolve 18 allows the user ability to prefer proxies or prefer camera originals. Depending on the setting chosen in the Playback menu, the selected clip type will be prioritized if both proxies and originals are available. Resolve FX Depth Map for depth keying and grading Resolve FX Depth Map generates a depth alpha channel using the DaVinci Neural Engine, allowing you to separate backgrounds, isolate objects at specific depths and create fog, portrait mode and other distance effects. From the effects library in color page, you can apply Depth Map to a node, enable Depth Map Preview to view results, adjust limits, isolate specific depths and finesse results. You can also disable preview, enable OFX alpha and use the alpha output in subsequent nodes. Resolve FX Surface Tracker for tracking warped surfaces The new Resolve FX Surface Tracker in DaVinci Resolve Studio applies textures or effects to flexible and deformable moving surfaces. If the texture you would like to apply has transparency, you should drag the plugin as an FX node rather than apply it on a corrector node. • The bounds tab allows you to select/create a region where you would like to apply the texture. Additional bounds and holes can be added to define complex surfaces. • The mesh tab allows you to establish a mesh over the surface you would like to track. This acts as the starting point for the tracking. • The track tab is where the analysis is performed. You can adjust the motion range for fast-moving objects and the rigidity of the mesh. • The result tab allows you to control how you would like to use the warped surface for warping or compositing content. Improved Resolve FX Beauty with new ultra beauty mode. The ultra beauty mode, now the default setting for Resolve FX Beauty allows for stronger filtering and more natural results. This more powerful effect can even help with smoothing object surfaces, and even some compression artifacts. Convert fixed bus projects to FlexBus Older fixed bus projects can be converted to FlexBus projects by unchecking the use fixed bus mapping control in project settings under Fairlight. This action permanently converts the project's timelines to FlexBus and cannot be undone. Ordering tracks and buses from the track index You can now drag and drop tracks and buses to freely change order in the track index. This order will be reflected in the meters, mixers and the fader panels. You can choose between a single scrollable view or a split view with a fixed section, indicated by an adjustable split point. Configuring meters decay, peak hold and display modes. Fairlight meters now have a Digital VU mode with combined VU and Peak levels in FlexBus projects. From the Project Settings, under Fairlight, you can select IEC 60268-18, Digital VU, or define your own custom levels, scale and decay. Improved plugin management in the mixer You can now copy settings for pan, EQ, dynamics and third party plugins between tracks and buses in the mixer. This can be invoked in multiple ways • Context menus in the plugin dialog or in the mixer graphs of pan, EQ and dynamics. • Hotkeys Shift+Control+C Shift+Control+V (Shift+Command in Mac OS). • Mixer strip header context menus for full channel settings. Improved Python 3 Support The automatic detection of installed Python versions for scripting has been updated to check for default installations for Python 3.3 to 3.10 (and future versions). If set, the PYTHONHOME environment variable (or the explicit PYTHON3HOME and PYTHON2HOME if you have both installed) will be considered. To explicitly override the version used by DaVinci Resolve and Fusion Studio, you can set FUSION_Python3_Home (formerly FUSION_Python36_Home) to point to the base folder. Expression animated Custom Poly modifiers You can now quickly create and animate Fusion masks and strokes using custom poly modifiers. In addition to common expressions, the Custom Poly supports these functions and variables • (px,py) for the current point on the source poly. • disp for the point's displacement on the poly. • index and num for the current point's index (zero-based) and total number of points. • getx(disp), gety(disp) to access polyline values from specific displacements. - getx_at(disp,time), gety_at(disp,time) for displacements and times. - Use get2, get3 variations for additional inputs. • get[rgba][bdwm](x,y) to access image channels with optional black/duplicate/wrapped/mirrored results. Support for 10-bit viewers on Windows and Linux in Studio. In Preferences, under General, DaVinci Resolve Studio now allows enabling 10-bit precision in viewers in Windows and Linux. You will need a capable Nvidia or AMD graphics card, up to date drivers and a 10-bit capable display. Stream video output to remote monitoring in Windows and Linux in Studio. DaVinci Resolve Studio now supports the ability to stream your video monitoring output to a remote Blackmagic Design video monitoring device. This requires • A Windows and Linux Studio system with an Nvidia graphics card. • Remote Studio clients with a Blackmagic design monitoring device. • Windows and Linux clients need an Nvidia graphics card. On the streaming server, you can allow remote streaming connections in Davinci Resolve Preferences under General. By default, TCP port 16410 is used for streaming connections. On the client, go to the Applications folder on Mac or the Windows start menu to the DaVinci Resolve folder, and run the DaVinci Remote Monitoring application. Set the IP address of the server machine. Configure your DeckLink or UltraStudio card on the client machine and press start. The streaming server can now accept the incoming connection prompt and start streaming its monitoring output to remote clients. Currently, remote streaming reflects the cut, edit, color and deliver viewers. It streams stereo audio and does not show overlays or scopes on the client side. Mac OS clients are limited to 8-bit 4 2 0 video formats. Pre-Installation Notes • PostgreSQL 9.0 is the minimum supported version. • PostgreSQL 13 is the recommended version. • 10-bit viewers on Windows Linux needs a capable graphics card and display. Minimum system requirements • Windows 10 Creators Update. • 16 GB of system memory. 32 GB when using Fusion. • Blackmagic Design Desktop Video 10.4.1 or later. • Integrated GPU or discrete GPU with at least 2 GB of VRAM. • GPU which supports OpenCL 1.2 or CUDA 11. • NVIDIA/AMD/Intel GPU Driver version – as required by your GPU. Installing DaVinci Resolve software Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts. Migrating legacy Fairlight projects to DaVinci Resolve In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system https //downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip After installing the utility, you should see an option to "Import Fairlight Project" in the Fairlight menu in DaVinci Resolve. Additional information Please refer to the latest DaVinci Resolve configuration guide for details on Windows support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support/. You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support/. © 2001-2022 Blackmagic Design Pty. Ltd. All rights reserved. Blackmagic Design, Blackmagic, DeckLink, Multibridge, Intensity, H.264 Pro Recorder and "Leading the creative video revolution" are trademarks of Blackmagic Design Pty. Ltd., registered in the U.S.A and other countries. Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop are registered trademarks of Adobe Systems. Avid Media Composer and Avid Pro Tools are registered trademarks of Avid. Apple Final Cut Pro, Apple Motion and Apple Soundtrack Pro are registered trademarks of Apple Computer. Updated April 27, 2022.
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Flood Little Brown & Co (T)? Time-Life Books? LittleBrown&Co(T)? Time-LifeBooks? ジャンル別? Substores-UnknownASINs-8 Subjects-Outdoors&Nature-Environment-NaturalDisasters? Subjects-Science-EarthSciences-NaturalDisasters? Subjects-Science-General Language Disorders in Children Recent Advances Pro ed? Audrey Holland? Proed? AudreyHolland? ジャンル別? Substores-UnknownASINs-8 Supplement to Cases Materials on Remedies, Public Private 1999 West Group? David S. Schoenbrod? Angus Macbeth? David I. Levine? David J. Jung? WestGroup? DavidS.Schoenbrod? AngusMacbeth? DavidI.Levine? DavidJ.Jung? ジャンル別? Substores-UnknownASINs-8 Subjects-Law-General? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Law-General? The Myth of Child Support and Alimony Womens Legal Defense Fund? Womens Legal Defense Fund? WomensLegalDefenseFund? WomensLegalDefenseFund? ジャンル別? Substores-UnknownASINs-8 S. O. S. Kit for Directors Toys N Things Pr? Early Childhood Directors Association? ToysNThingsPr? 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赤鬼 最弱。カードを使用しない。カードは全部売る。青駅優先で止まる。物件は買えるだけ買う 馬鬼 農林物件重視。進行系カードを使う分赤鬼よりましか きじた 目的地最優先。冬の赤にも特攻するので赤鬼にすら負ける場合も さるかわ 妨害カードは入手次第使う。物件は高い物件から購入 いぬやま 安い物件から堅実に買っていく かぐや姫 ここから一気に手強くなる。目的地よりも貧乏神のなすりつけ優先。DXではそれが一番重要なのでCOMの中では最強かもしれない あしゅら 頭がいい···はずだが、こちらが目的地まで1マスの時に牛歩を使ってくる奇行を確認 目的地まで5nマスの地点からレッツ5を使ったのに赤マスを避けゴールできないという奇行も えんま 貧乏神のなすりつけをそれなりに重視。所持金が多ければ物件駅に結構止まる その他思考ルーチン ■赤マスが多いせいかきじた以外はなかなか日本海に入らない。西日本から札幌、稚内、襟裳へ向かう場合、大阪周辺で詰まって数年間ウロウロすることもある ■かぐや姫以上のCOMで、目的地が釧路や札幌の時に目的地から3〜4マスあたりの海路にて急行以上の進行形カード(リニア除く)を使う奇行(バグ？)を数度確認 ■かぐや姫以上のCOMは、①自分に貧乏神がついていない②自分と他プレイヤーが離れている③自分が目的地圏内でない 以上を満たす場合に妨害系カードを所持していれば使用してくるようである ただしばかもん！・銀次・カードつかえ・オナラ・ぶっとばし・ペア旅行・独占禁止は手に入れても使ってこない ■うまおに以上のCOMは目的地まで約10マス以上ある地点でリニアを手に入れるとすぐ使ってしまう ■モモトラマンカードをよく買うが金太郎カードを買うことはほとんどない。怪獣襲撃都市の物件を所有していない場合は出動させない。 ■全体影響系カードは海路でイエローカードを使うぐらい ■変身・不定系カードは「ち」カードとダビングぐらい ■カード駅に止まった場合、ブロックカード、ぶっとびカード、モモトラマンカード（未待機の場合）を一枚ずつ、残りは進行系カードを持てるだけ買うことが多いようである。赤鬼は所持カードを全部売るだけ えんまはサイコロ操作されてない？結構スッと目的地に入る気が (2011-06-24 12 10 58) 釧路のバグ？は７でも残っていますｗ あ、サイコロ操作は７以降のさくまですよね？ (2011-10-24 22 11 31) あしゅらと戦ったけどあしゅら超バカえんまと戦ったことあるけど超弱い (2011-12-18 09 52 03) そら1年しかやってなきゃ勝つわな (2012-01-05 16 16 45) 赤鬼 馬鬼 雉田 猿川 犬山 輝夜姫 阿修羅 閻魔 (2012-01-05 16 19 38) えんまは状況に応じて別の乱数テーブルを使ってるはず、それでも弱いが (2012-02-18 01 23 47) どうもレベルの高いＣＰＵはイカサマしまくってるな (2012-03-11 01 32 41) えんまの目的地に一発で入る確立は異常w (2012-06-23 01 33 46) 『DX』の究極本や、『7』のメッセージいわく、CPUはこの作品では運要素(サイコロなど)は操作していない模様 (2012-07-08 20 39 08) 銀次カード、オナラカードはたまに使ってくるようです。 (2012-07-13 20 59 10) 銀次カード、オナラカードはたまに使ってくるようです。 (2012-07-14 19 43 47) 基本的に目的地に到着するか、なすりつけることに固執する。それを逆利用するのも手 (2012-08-27 16 04 27) “桃鉄2010のさくまが行うプレイヤーの「サイコロ出目操作」”って人間プレイヤーに対する出目操作ってことですか？ (2012-09-17 18 53 32) あしゅら、目的地が中国地方の時、所持している中国カードを使わなかったことがあります (2013-11-07 13 59 44) DXしかやってないけど、阿修羅は他より移動カードを多用するせいか、結果的にかぐやより貧乏神回避率が高い。何度やってもそうなる。 (2016-03-23 15 39 44) 「さるかわ」と「えんま」の2人がいるとき、「さるかわ」の使用する妨害系カードの標的に「えんま」がなりやすい気がする。 (2016-06-03 16 47 07) エミュで検証したがは出目操作なんか全く無かったぞ。検証なんか今はいくらでも出来るんだからただの印象じゃなくはっきりとしたデータ持ってこいよ。未確認とかアホかと (2017-09-03 04 11 32) ぶっ飛びで目的地付近に飛びやすい気がする (2017-09-12 22 33 08) 雑魚ほど負けると不正だとか操作だとか喚きだすもんな。 (2017-12-05 13 58 36) エミュ使ってまで否定のために検証するのか(困惑) (2018-01-04 12 56 00) プレイ５年でえんまが鹿児島小判、新会社設立、ぶっとびでホールインワンとありえないの連発して腹立ってやめた。長期プレイなら何とか倒せるけど１０年区切りでプレイしてたので。 (2018-06-06 00 48 46) きじた以下は (2019-01-06 22 41 44) きじた以下はやってないですが、個人的な印象としては ・さるかわ…場はかなり荒らすけど、高いものから買うしわりと赤マスにも入るので自滅しがち ・いぬやま…手堅く資産を固めるし、たまに攻撃にも転じるしイメージより強い。ボンビーのくっつけとか赤マスの避け方とかが上位３人に比べるとタンパクなのでそのスキを突きたい。 ちなみにレッツ５カードでマイナスを避けてくるのはあしゅら以外でもやってました(笑)（えんまとかも） (2019-01-06 22 48 32) ・かぐや姫…チャンスがあったらすかさず安い駅を買い占めてきたりかなり強い。貧乏神もうまく避けてくるが、その分特急系の無い時とかに一人だけ貧乏神がついてキングボンビーになって借金に…みたいなパターンもあったり。一度沈むとなかなか浮上してこない打たれ弱さも。 ・あしゅら…これといった弱点は無いものの、なぜかあまり上位に来ないことが多い。（運が悪め？）個人的にはかぐや姫よりも弱い印象。 ・えんま…COM特有の弱点（レッツ５カードの使い方とか）はあるものの、先を読んだ動きが多くやっぱり一番強い。キングボンビー食らって借金生活になってもいつの間にかプラスに転じるシブトさがある。 長文失礼しました。 (2019-01-06 22 53 56) 2010でのさくまのプレイヤーに対しての出目操作は結局確認できてない模様、絶好調時のさくまは目的地ぴったりの出目を出しやすいのは確認できたが (2020-02-15 02 54 26) うんちでえんまを千葉南東のカードマス地帯に閉じ込めたとき、入手した進行形カードを浪費する愚行を確認（複数回）。ちなみに目的地は青森 (2020-08-02 21 57 43) (未確認) (2020-09-27 16 52 29) えんまの説明が主観すぎて酷かったので大量に削除 (2020-11-17 23 13 24) コメント
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